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1. #SERIAL PODCAST EPISODE 7 SUMMARY SERIAL#
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Molly says she was lucky that “Jim” showed up to the cabin when he did, even though his timing was certainly strange. He begins snooping around Kurt’s office, and comes to the conclusion that he’s going to have to kill him.Īt the bar, Angela tells Molly that she was supposed to leave town with Iris, but backed out at the last minute. Since it was only a 67 percent match, Kurt’s eventually released.ĭexter stakes out the diner, wondering what to do with the “loose end” that is the screw. Kurt says the DNA in question is his dad’s. But what we actually see is a young Kurt committing the murder himself. As she was running away, he pulled out a rifle and shot her dead. He claims his father tried to bring Iris back home, but when he refused to let her out of his truck, she bit his hand and jumped out. They drove off and that’s the last he saw of her. (The song the boy spins in the truck is, once again, Del Shannon’s “Runaway” - the same song Kurt repeatedly plays in the bar, and also the track the killer played before Lily was murdered in Episode 3.) He says that one night, he saw Iris hitch a ride with his dad. Kurt gives a statement to the cops, telling a story from his childhood of how his dad would pick up working girls and abuse them with young Kurt in the car. So Kurt knows Dexter killed Matt, and he has reach. It seems Kurt knows exactly what Dexter’s been up to.ĭexter Googles what titanium compression screws look like, and sure enough, that’s exactly what was in the envelope. And another troubling tidbit from Kurt: Titanium doesn’t melt. Kurt says the night Dex picked him up, he knows it wasn’t snowing it was actually raining ash. Later, he creates a diversion so he can sneak into the jail and visit Kurt. When Dexter opens it up, it’s a thin piece of metal (a nail?), and Dexter isn’t sure what to make of it.

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Meanwhile, a driver at the truck stop gives Harrison an envelope to give to his dad. She also asks him about the scar on his hand, and tells him they found a DNA sample on Iris’ body that matches his own. Kurt claims he’s innocent as Angela grills him about his FaceTime with Matt (which we and she know is a lie). The conversation quickly turns into a suspenseful tête-à-tête, but before things can really heat up, Angela interrupts to arrest Kurt for murder. He’d really like to hear Matt’s side of the story, he tells Kurt, both poking and prodding. Kurt takes a seat in his booth, and Dexter asks if Molly ever got that interview with Matt. It looks like something was dragged away from the cabin, and when they enter the basement, it reeks of bleach and the apartment’s completely stripped.Īs Harrison begins his job, Dexter grabs a cup of coffee at the diner to keep an eye on him.

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It has human skin on it, and there could be enough DNA to pinpoint the killer.ĭexter tells Angela what happened between Molly and Kurt, and brings her to the creepy cabin in the woods. She was also still alive when she was buried, and from the looks of it, had attempted to dig herself out. He inspects the body and finds the girl’s shirt ripped she was shot from behind with a rifle. Now knowing who Dexter really is, she wants his expert forensic opinion. We pick up right where we left off, with Dexter meeting Angela at the crime scene. 1 suspect? Sunday’s episode revealed all of that and more.

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With all signs pointing to Kurt Caldwell being the Big Bad (duh), will the suspicious diner owner be able to keep evading the police? More importantly, how does Dexter plan on dealing with the town’s serial killer problem now that Harrison is working for the No.

Unfortunately, the poor girl’s remains were discovered at the bottom of some local caves. Sarah Koenig is a journalist, public radio personality, and staff producer of the television and radio program This American Life.Last week’s episode of Dexter: New Blood delivered a huge reveal as Angela finally discovered the whereabouts of her missing friend Iris.

This season, we tell you the extraordinary stories of ordinary cases. We watched how justice is calculated in cases of all sizes, from the smallest misdemeanor to the most serious felony. And then we followed those cases outside the building, into neighborhoods, into people’s houses, and into prison. We chose Cleveland, because they let us record everywhere - courtrooms, back hallways, judges’ chambers, prosecutors’ offices.

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Inside these ordinary cases we found the troubling machinery of the criminal justice system on full display. To do that we figured we’d need to look at something different: ordinary cases. Not for one extraordinary case instead, Serial wanted to tackle the whole criminal justice system.